Across the twentieth century, Black artists transformed the visual meanings of Blackness under modernity. Introducing a fresh approach, Kobena Mercer shows how such changes were driven by the creative friction of cross-cultural dialogue. In Afromodernism, Mercer examines dialogic aesthetics of ambiguation, hyphenation, and transcoding among African American, Caribbean, and Black British artists at six key turning points, including the New Negro presence at the world’s fairs of the 1900s, Harlem Renaissance encounters with African art, post-1945 abstraction, and the 1960s critique of the society of spectacle. Putting artists such as Aaron Douglas, Elizabeth Catlett, Frank Bowling, and Adrian Piper into conversation with such critical thinkers as W. E. B. Du Bois, Michel Foucault, and Stuart Hall, Mercer reframes the arc of modernism within the Black Atlantic and opens a new angle on twentieth-century art.
Dive deep into the enigmatic world of the revered and Yoruba archministry. Ìyàmi Àjẹ́ Witchery, Sorcery, and Their Powerful Magic Formulas Dive deep into the enigmatic world of Ìyàmi Àjẹ́, the revered and feared witches of Yorùbá culture. This book unveils...
Àwúre w ith Specific Odù-Ifá Signs & Incantations (New Edition) In the mystical tapestry of Yorùbá culture, Àwúre emerges as a potent force - an ancient magic that transcends mere belief. Àwúre, the catalyst for positive life transformation, beckons to those who...
Product details Language : English Paperback : 32 pages ISBN-13 : 9798359835589 Àwúre w ith Specific Odù-Ifá Signs & Incantations (New Edition) In the mystical tapestry of Yorùbá culture, Àwúre emerges as a potent force - an ancient magic...
In After Caliban, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean. She draws on Aimé Césaire’s rewriting of Shakespeare’s The Tempest, in which Caliban becomes the...
In After Caliban, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean. She draws on Aimé Césaire’s rewriting of Shakespeare’s The Tempest, in which Caliban becomes the...